At Boost Collective, we're on a mission to prove that real growth in music doesn't require bots, gimmicks, or inflated promises. One of our most successful recent campaigns is a perfect example of that. Independent artist AUGY's song "Adderall High" crossed 1 MILLION streams across Spotify, Apple Music, YouTube Music, and more, using only legitimate promotion channels—primarily Meta Ads (Instagram and Facebook), and a few playlists on Spotify.

This detailed case study will walk you through:
How we planned and executed the campaign
The exact tools and targeting strategies we used
The creative that helped the song go viral
The return on investment and long-tail streaming impact
Let's dive into the full breakdown.
AUGY's song Adderall High dropped on December 13, 2024. On day one, the track had 115 streams, entirely driven by AUGY's existing audience. At the time, he had around 11,000 monthly Spotify listeners.
From the outset, we knew we wanted to treat this campaign like a real label-level rollout. That meant:
We set a total promotion budget of $5,000 and committed to maximizing every dollar.

These tools gave us full visibility across all platforms to track audience behavior, ad performance, as well as platform-level growth.

Before launching any ads, we took a step back to understand what Adderall High represented. AUGY described the track as a feeling of focus and drive—being locked in and untouchable. That insight helped guide everything that followed.
We translated that feeling into a concept that would work for short-form content: a therapy session skit that played off the opening lyric, "Yeah, I feel a little stressed."
The ad featured AUGY in a fictional therapy session with subtle easter eggs referencing his past work (like the title of his last project and his gray sweater merch). This narrative matched the emotion of the song and made it immediately relatable to the target audience.

Our first batch of video ads didn't perform well. One version featured AUGY trying on outfits with lyrics playing in the background—visually clean, but emotionally flat.
What changed everything was the therapy skit.
People loved the authenticity. Comments on the post were full of praise like:

We focused the campaign on Tier 1 countries to maximize royalties and exposure:
These countries offer higher per-stream payouts and are easier to monetize through touring, merch, and long-term fan engagement.
We kept the age targeting broad—18 to 55—with a soft focus on fans of alternative hip-hop, indie pop, and artists similar to AUGY (Mac Miller, Dominic Fike, etc.).

After launching the winning ad, we saw a massive uplift across key performance indicators:

By January 10, the campaign hit critical mass—and Spotify's algorithm took over. The song received:
This algorithmic support continued for weeks after the ad budget was paused, proving the power of building real momentum.

While Spotify was the primary focus, Adderall High also grew across other platforms:

We estimate total revenue per stream to average $0.0032, across all platforms.
At 700,000 streams:
As of April 2025, AUGY is halfway to fully recouping the initial $5,000 investment. After that point, the song becomes a cash-flowing asset.
Even under more conservative projections (streams dropping to 1,500/day), the campaign still breaks even within the 12–16 month golden ratio used by major labels.

Adderall High had a clear emotional theme and resonated with the right audience.
The therapy skit was unique, scroll-stopping, and matched the tone of the track.
We tested dozens of creatives. When one worked, we scaled it hard.
We focused on Tier 1 countries to maximize ROI and long-term value.
Instead of chasing numbers, we built momentum the right way—and Spotify rewarded it.
This campaign wasn't about luck. It was about:
We don't guarantee streams. We earn them through strategy, testing, and hard work. AUGY's campaign is one example among many.
If you're serious about your music and want a team that knows how to scale real growth—without shortcuts or shady tactics—we're here to help.
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